![]() ![]() The most obvious one was very shallow depth of field (DoF) when working at 1:1 scale.The more I read the forum, the better I realized that I was dealing with the quite a few complex engineering problems. 1978, ORWOCHROM UT18, KMZ Zenit-E, Industar 50-2Īpproximately at that time I joined the FB group “Digitizing film with a digital camera” which was eye-opener for me. Me, Zorkiy and Jupiter 12 in Vulnus, Lithuania. Despite all of the above I certainly wanted my film send-off ceremony to be worthy of my hundreds and thousands of shots accumulated over the years. ![]() My final brush up with film came when I decided to digitize those old slides and negatives of mine. Each emulsion has its own quirks and very often I would have in my camera the roll of film ill-suited to what I wanted to shoot at the moment. The random shake could ruin the shot, spoiled developer or sudden change in my tap water temperature could ruin film and so on, and on and on. It has always handicapped me: I could not shoot in near dark, I could not fix my errors, I never knew the results until a few days later, I never had enough film on me. You see, my return to film photography was not because of my love of the media. 5 Mikrat-300 – the film from the galaxy far-far away.2 What can be easier than taking a picture of the piece of film?.
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